The cases of master criminal defense attorney Perry Mason and his staff who handled the most difficult of cases in the aid of the innocent.
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A comedy-drama following a chaste young woman who is accidentally impregnated via artificial insemination as she struggles to inform her devoutly religious family and make the right choices concerning the child. Based on the telenovela “Juana la virgen.”
Fresh Meat is an award-winning British sitcom created by Jesse Armstrong and Sam Bain, who also created Peep Show. The first episode, directed by David Kerr, was broadcast on Channel 4 on 21 September 2011, and aired on Wednesdays at 10 pm. Fresh Meat marked the acting début of comedian Jack Whitehall and also stars Kimberley Nixon of Cranford and Joe Thomas of The Inbetweeners. Channel 4 described the show as a comedy drama. The second series started airing on 9 October 2012, and comprised 8 episodes. On 22 November 2012, a third series was commissioned. Sam Bain, a co-creator of Fresh Meat, has revealed that ideas are being developed for a potential movie adaptation.
In the multi-billion dollar world of plastic surgery, beauty is in the eye of the beholder… or is it? For some patients, their quest for ultimate perfection ends in disastrous results. World renowned doctors Paul Nassif and Terry Dubrow — the best of the best and leaders in their field — will be tasked with some of the most difficult operations of their careers when they try to reverse the effects of horrendous plastic surgeries.
Chuck is an American action-comedy/spy-drama television series created by Josh Schwartz and Chris Fedak. The series is about an “average computer-whiz-next-door” named Chuck, played by Zachary Levi, who receives an encoded e-mail from an old college friend now working for the Central Intelligence Agency; the message embeds the only remaining copy of a software program containing the United States’ greatest spy secrets into Chuck’s brain.
Tech genius Lindy, convinced by her roommate to begin online dating, begins to suspect that one of her mysterious suitors may be a deadly cyber stalker. When her friends at the elusive cyber-police uncover a potential serial killer in Manhattan, all signs point to one of Lindy’s dates. Teaming up with this band of hackers Lindy works to solve the murders while unleashing her own style of justice on the streets of New York City.
Little House on the Prairie is an American Western drama television series, starring Michael Landon, Melissa Gilbert, and Karen Grassle, about a family living on a farm in Walnut Grove, Minnesota, in the 1870s and 1880s. The show is an adaptation of Laura Ingalls Wilder’s best-selling series of Little House books. Television producer and NBC executive Ed Friendly became aware of the story in the early 1970s. He asked Michael Landon to direct the pilot movie, who agreed on the condition that he could also play Charles Ingalls.
The regular series was preceded by the two-hour pilot movie, which first aired on March 30, 1974. The series began on the NBC network on September 11, 1974, and ended on May 10, 1982. During the 1982–83 television season, with the departure of Michael Landon and Karen Grassle, the series was broadcast with the new title Little House: A New Beginning.
In 1997, TV Guide ranked the two-part episode “I’ll Be Waving As You Drive Away” #97 on its 100 Greatest Episodes of All Time.
The Waltons is an American television series created by Earl Hamner, Jr., based on his book Spencer’s Mountain, and a 1963 film of the same name. The show is centered on a family in a rural Virginia community during the Great Depression and World War II.
The series pilot aired as a television movie entitled The Homecoming: A Christmas Story and was broadcast on December 19, 1971. Beginning in September 1972, the series originally aired on CBS for a total of nine seasons. After the series was canceled in 1981, three television movie sequels followed in 1982, with three more in the 1990s. The Waltons was produced by Lorimar Productions and distributed by Warner Bros. Domestic Television Distribution in syndication.
John Ellis, a disillusioned suburban ER doctor, who finds his existence transformed when he intervenes in a drive-by shooting, saving a young boy’s life and killing one of his attackers. When he learns the boy is still marked for death he finds himself compelled to save him at any cost and discovers that his life and his outlook on medicine may never be the same.