A giant asteroid is heading toward Earth so some astronauts disembark from a nearby space station to blow it up. The mission is successful, and they return to the station unknowingly bringing back a gooey green substance that mutates into one-eyed tentacled monsters that feed off electricity. Soon the station is crawling with them, and people are being zapped left and right!
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Movie describes life of an actor as he suddenly becomes popular, but also becomes arrogant with his new found fame. As he mixes with new groups of people, including gangsters, he finds his career spiraling back down and his life in danger. Oh Young (Lee Joon) is an intense young actor, full of vigor for his chosen field. He currently performs regularly for a small theater company as well as playing minor roles in movies. A manager named Kim Jang-Ho (Seo Bum-Suk) then spots Oh Young on the filming set of a movie. He sees potential in Oh Young and offers to make him a top actor. After signing his contract, Oh Young’s role in the movie is rewritten into a major supporting character. Once the movie is released, Oh Young receives praise for his performance and also becomes a burgeoning celebrity. As his popularity rises, Oh Young’s life quickly spirals out of control.
During Nazi occupation, red-headed Bent Faurschou-Hviid (“Flame”) and Jørgen Haagen Schmith (“Citron”), assassins in the Danish resistance, take orders from Winther, who’s in direct contact with Allied leaders. One shoots, the other drives. Until 1944, they kill only Danes; then Winther gives orders to kill Germans. When a target tells Bent that Winther’s using them to settle private scores, doubt sets in, complicated by Bent’s relationship with the mysterious Kitty Selmer, who may be a double agent. Also, someone in their circle is a traitor. Can Bent and Jørgen kill an über-target, evade capture, and survive the war? And is this heroism, naiveté, or mere hatred?
After several years in an insane asylum, Evelyn, the keeper of the Mountaintop Motel, is released and resumes doing business. She kills her young charge out of anger, but convinces the police it was an accident – and pushed into insanity, she then proceeds to target her guests, first by releasing vermin into their rooms, but then by using her trusty sickle.
Considered one of Charlie Chaplin’s best films, The Kid also made a star of little Jackie Coogan, who plays a boy cared for by The Tramp when he’s abandoned by his mother, Edna. Later, Edna has a change of heart and aches to be reunited with her son. When she finds him and wrests him from The Tramp, it makes for what turns out be one of the most heart-wrenching scenes ever included in a comedy.
New York police are bemused by reports of a giant flying lizard that has been spotted around the rooftops of New York, until the lizard starts to eat people. An out-of-work ex-con is the only person who knows the location of the monster’s nest and is determined to turn the knowledge to his advantage, but will his gamble pay off or will he end up as lizard food?
When Miley Stewart (aka pop-star Hannah Montana) gets too caught up in the superstar celebrity lifestyle, her dad decides it’s time for a total change of scenery. But sweet nibblets! Miley must trade in all the glitz and glamour of Hollywood for some ol’ blue jeans on the family farm in Tennessee, and question if she can be both Miley Stewart and Hannah Montana. With a little help from her friends – and awesome guest stars Taylor Swift, Rascal Flatts and Vanessa Williams – will she figure out whether to choose Hannah or Miley?
Christmas in the Smokies is a modern day Christmas classic set in the beautiful Smoky Mountains. It tells the story of one family’s journey to save their historic berry farm against all odds during one fateful holiday season.
Documentary about British artist Andrew Logan as he attempts to put on the 2009 edition of his Alternative Miss World. The film also presents a history of the contest (which has run eccentrically since 1972) which was set up firstly as an excuse to have a good party, but has grown into a celebration of alternative lifestyles and sexualities. The documentary mixes archive footage, animated inserts, with talking head interviews and a fly-on-the-wall look at the organisation of the 2009 event