Three friends united by their love of hip-hop work to make their big mark in the music industry. Beginning in the summer of 1990 NYC, Nikki a brilliant recent grad abandons a law school scholarship to pursue her dream of becoming a record exec along with the son of a legendary music producer boyfriend David who’s struggling at the city’s top R&B station. Dee Vee is an aspiring producer on the hunt to find the next big rapper on the come-up.
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Injustice begets a criminal. Kool is an artist without prospects, a black belt in karate, and in love with LaShawna, poised and college bound. One night she witnesses a stabbing and discovers the victim is a cop as he dies in her arms. She’s jailed for murder by the infamous Ramparts Division of the LAPD. Kool wants to prove her innocence, and Tully, the cynical detective in charge, ignores LaShawna’s case but uses Kool to break up an incipient crime operation. She’s in danger because the guilty parties fear that the officer talked before he died. While in jail awaiting a hearing and legal help, she’s beaten to death by a rogue cop. Kool vows revenge: the Hot Boyz are born.
A lonely beach on the southernmost coast of Brazil is the scene for two friends, on the brink of adulthood, to explore their understanding of themselves and one another. Martin (Mateus Almada) has been sent by his father to retrieve what appears to be an inheritance-related document from the family of his recently deceased and estranged grandfather. Tomaz (Mauricio Jose Barcellos) accompanies him, seemingly hoping to regain some of their former closeness. The two boys shelter themselves in a glass house, in front of a cold and stormy sea.
Rent’s a bitch. And that is why, six months after her best friend went missing, Amanda finally gives in to getting another roommate, Hailey. The two college students turn out to have something in common, however: abusive men. For Hailey, it’s her dad. For Amanda, it’s a stalkery ex-boyfriend. But problems can be solved and, you know, you scratch my back, I scratch yours. In other words, Kill for Me, I kill for you.
Forced to work under slave-like conditions in a “prison for profit” program, the inmates of a mostly-African-American female prison, Whitehead Correctional, try to take over the institution. At the core of the story is Frances, who finds herself in prison after being falsely convicted of murder, and who is told that her baby has been murdered, sparking her to lead her fellow inmates in the protest
Chanticleer is a foolhardy farm rooster who believes his crows can actually make the sun come up and shine. When the sun rises one morning without Chanticleer’s crow, he leaves the farm in disgrace and runs off to become a rock ‘n’ roll singer. But in his absence, a sinister, sunshine-hating owl prepares to take over.
A young governess, Ann, is sent to a country house to take care of two orphans, Miles and Flora. Soon after her arrival, Miles is expelled from boarding school. Although charmed by her young charge, she secretly fears there are ominous reasons behind his expulsion. With Miles back at home, the governess starts noticing ethereal figures roaming the estate’s grounds. Desperate to learn more about these sinister sightings she discovers that the suspicious circumstances surrounding the death of her predecessor hold grim implications for herself. As she becomes increasingly fearful that malevolent forces are stalking the children the governess is determined to save them, risking herself and her sanity in the process.