When she’s written out of her show, her relationship and her seemingly perfect life, reality TV star Ann Stanway leaves Hollywood and finds herself marooned in Amish country. But when Ann is taken in by the owner of a nearby Inn, and meets a handsome young architect, she discovers that the reality she left isn’t nearly as perfect as the one she’s found.
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Tenth entry in the Carry On series. Able seaman Poop-Decker (Bernard Cribbins) signs up for adventure on the high seas with the wicked Captain Fearless (Kenneth Williams). Those swabbing the decks include Juliet Mills, Charles Hawtrey and Donald Houston. The film was originally to be entitled ´Up the Armada´, but the British Board of Film Censors objected to such a rude title.
Lydia, a successful professional organizer, is constantly trying to grow her business, but even her ambition takes a back seat to love when she meets Robert, a frazzled widower with two young children. A toy inventor, Robert is asked to present his new Christmas toy line to a superstore. His challenge is he only has 12 days to get his life and his business in order. Talk about a Christmas rush! Lydia shows Robert that this task goes way deeper than messy junk drawers and encompasses every aspect of his life. While she’s intent on helping him straighten out details he had long ignored, Robert teaches the buttoned-up Lydia that messiness can be a delightful part of life.
Jim Craig has lived his first 18 years in the mountains of Australia on his father’s farm. The death of his father forces him to go to the low lands to earn enough money to get the farm back on its feet. Kirk Douglas plays two roles as twin brothers who haven’t spoken for years, one of whom was Jim’s father’s best friend and the other of whom is the father of the girl he wants to marry.
Max Fischer, a precocious and eccentric 15 year-old, who is both Rushmore’s most extracurricular and least scholarly student; Herman Blume, a disillusioned industrialist who comes to admire Max; and Rosemary Cross, a widowed first grade teacher who becomes the object of both Max’s and Herman’s affection.