The story begins with Sekiuchi, boss of the Sannokai, a huge organized crime syndicate controlling the entire Kanto region, issuing a stern warning to his lieutenant Kato and right-hand man Ikemoto, head of the Ikemoto-gumi. Kato orders Ikemoto to bring the unassociated Murase-gumi gang in line, and he immediately passes the task on to his subordinate Otomo, who runs his own crew. The tricky jobs that no-one wants to do always end up in Otomo’s lap.
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Raj is a rich, carefree, happy-go-lucky second generation NRI. Simran is the daughter of Chaudhary Baldev Singh, who in spite of being an NRI is very strict about adherence to Indian values. Simran has left for India to be married to her childhood fiancé. Raj leaves for India with a mission at his hands, to claim his lady love under the noses of her whole family. Thus begins a saga.
Jason Osder makes an impressive feature film debut through his unbiased and thorough account of the incidents leading up to and during the 1985 standoff between the extremist African-American organization MOVE and Philadelphia authorities. The dramatic clash claimed eleven lives and literally and figuratively devastated an entire community. Let the Fire Burn is a real-life Wild West story absent the luxury of identifying its heroes by the color of their hats.
Suspension from school, the loss of a friend, a broken heart and lack of inspiration lead to Maude’s downfall in this romp through teenage error. Your teenage years are never easy… but for Maude, things couldn’t be worse. Within one week, she is suspended from school, stranded by her best friend, dumped by the boy she loved and inherits an enormous amount of money with the passing of her grandmother– only to be claimed under one condition: Maude must prove by age 18 that she knows exactly what to do with her life. But with her 18th birthday rapidly approaching, Maude must dive into a world of self-discovery or else lose the inheritance.
Spies, cops and armed children cross paths on a day of danger, mystery and possible transformation. Five unusual characters are unknowingly connected to an extraordinary smuggling operation, as religious conspiracy collides with urban crime.
“We are all angels. It is what we do with our wings that separates us.” In the next two days, the town of Northfork will cease to exist. The year is 1955 and Northfork is literally about to be “dammed,” flooded to make way for a new hydroelectric project.
Freshman high-school student Melinda has refused to speak ever since she called the cops on a popular summer party. With her old friends snubbing her for being a rat, and her parents too busy to notice her troubles, she folds into herself, trying to hide her secret: that star senior Andy raped her at the party. But Melinda does manage to find solace in her art class headed by Mr. Freeman.
Frank Galvin is a down-on-his luck lawyer, reduced to drinking and ambulance chasing. Former associate Mickey Morrissey reminds him of his obligations in a medical malpractice suit that he himself served to Galvin on a silver platter: all parties willing to settle out of court. Blundering his way through the preliminaries, he suddenly realizes that perhaps after all the case should go to court; to punish the guilty, to get a decent settlement for his clients, and to restore his standing as a lawyer.