We live at a moment in time when the Israeli-Palestinian conflict, now more than a century old, continues to be of overwhelming international political and societal importance. From its inception, that conflict has also, of course, had powerful and deeply troubling consequences for Israelis and Palestinians themselves. The story at its most basic level is one that involves two peoples struggling for national recognition and expression in a small but richly significant piece of land. The tragedy of this history, as both the Israeli novelist, Amos Oz, and the Palestinian scholar, Sari Nusseibeh, have each pointed out, stems from a conflict between the rights of two peoples with equal and legitimate aspirations to nationhood and self-expression in a single small territory to which they can both lay claim.
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As a visually radical memoir, Cameraperson draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
Based on the true story of Matthew Winkler, a beloved minister who, in 2006, was found shot and killed in his Selmer, Tennessee home, his wife and young daughters missing. Authorities soon zeroed in on Matthew’s wife, Mary, as the prime suspect in the murder. After her capture, the residents of Selmer were left to wonder what would drive Mary to shoot her husband in the back as he slept. They would get their answers during her trial, when what went on behind the closed doors of this seemingly perfect family was revealed for all to see.
Filmmaker Jamie Redford embarks on a surprising journey across the U.S. to meet entrepreneurs, community activists and ordinary citizens who are pioneering the use of clean energy technology, often in the most unlikely places, in the process creating jobs, turning profits and making Americans’ lives healthier.
A Netflix Comedy Special: Comedian and actor Chris D’Elia (“Undateable” and “Whitney”), known for his dynamic physical comedy, explains why the NFL would be way more entertaining if it were real lions, bears and Vikings battling each other, that babies are the worst prize ever, and that you should never ask a Cuban directions unless you’re ready for the best time of your life.
Adaptation of Shakespeare’s Antony and Cleopatra, a historical drama that attempts to bring an epic visual style to the Bard’s original stage play. The story concerns Marc Antony’s attempts to rule Rome while maintaining a relationship with the queen of Egypt (Hildegarde Neil), which began while Antony was still married. Now he is being forced to marry the sister of his Roman co-leader, and soon the conflict leads to war.
In 1946, to prevent the Chinese civil war, Zhou Enlai who represented the Communists held a talk with the Chinese Nationalist Party, and George C. Marshall, who represented the Americans at Plum Village in Nanjing. A lost notebook stirred the already turbulent peace talk. The ripples alert the three sides and a battle of spy and anti-spy began. Many historical figures like Zhou Enlai, George Marshall, Chiang Kai-shek, Soong May-ling, He Yingqing, Chen Cheng, and Hu Zongnan are depicted in the movie. Other fictional persona such as the ace agent Xiong Huiquan, the female journalist, and a secret spy who belongs to the Confidential Bureau adds tension to the critical moment.