18-year-old Jesús lives with his stern, somewhat unaffectionate father in Santiago, Chile. When not doing drugs, having casual sex or simply slouching in front of the TV, Jesús and his friends perform in a K-pop boyband. But his routine is thrown into chaos one evening when he and his drunken posse viciously assault a young gay man and leave him for dead. It’s an act that propels Jesús into a profound moral crisis which have severe consequences.
On a post-apocalyptic world of never-ending winter, a sparse cast of outsiders live underground. Due to their unsanitary conditions, sexual contact has become dangerous. Masturbation has become the paradigm of sexual experience and an array of low-tech devices with this purpose has come into existence. In this bleak reality, Czuperski (a dealer of such machines) and Tania (a sex addict) make a deal: she will allow him to experiment new devices on her body in exchange of pleasure. Soon however, their relationship goes out of control.
Helena is a young woman who has spent her entire life in deep space, born en route to a distant colony and left alone when a malfunction in her craft made it impossible for both her and her parents to arrive safely forcing her parents to turn back and leave Helena to continue her journey to a better life alone. It’s a lonely but simple life until her craft rendezvous with an engineer sent to fix the fault and it turns out everything has been a lie, nothing but an extended social experiment. And Helena has been on earth the entire time.
Rodrigo, a piano-tuner and former composer fallen on hard times, begins a love affair with the soon-to-be-married Susana. When a bomb in the city of Medellín nearly kills them, Rodrigo and Susana surrender to their attraction and fall into each other’s arms. Cocooned in her apartment above the vibrant city, Susana opens up to him every night and tells him a story of each of the different men from her past. Her stories inspire him to compose again, but his obsession makes him jealous and paranoid. When Susana finally leaves her fiancée to be with Rodrigo, he becomes obsessed with her fidelity.
Alfonso is an old farmer who has returned home to tend to his son, who is gravely ill. He rediscovers his old house, where the woman who was once his wife still lives, with his daughter-in-law and grandson. The landscape that awaits him resembles a wasteland. Vast sugar cane plantations surround the house, producing perpetual clouds of ash. 17 years after abandoning them, Alfonso tries to fit back in and save his family.
The events occur between 4:45 am and 6:15 am in the Colombian jungle. Mark, an American contractor wakes up doped, tortured and hung up by the arms next to a local prostitute that acts as interpreter whilst the kidnappers want to hack a 60 billion dollars bank account. Mark is forced to play a no-win game. Time is not on his side and the only thing missing is the password, the problem is: give it or not, Mark is meat dead
The epic story of the first contact, encounter, approach, betrayal and, eventually, life-transcending friendship, between Karamakate, an Amazonian shaman, last survivor of his people, and two scientists that, over the course of 40 years, travel through the Amazon in search of a sacred plant that can heal them. Inspired by the journals of the first explorers of the Colombian Amazon, Theodor Koch-Grunberg and Richard Evans Schultes.
The documentary, Kingdom Come follows a first-time director (Daniel Gillies) as he tries to raise a million dollars to finance his first film, Broken Kingdom. This emotionally-charged journey is interwoven with over 30 rare interviews from acclaimed indie darlings including Mark Ruffalo, Illeana Douglas, Don Cheadle, Kevin Smith, Edward Burns, Tim Roth, Morgan Spurlock, Selma Blair, Robert Townsend, Bill Pullman and many more.
In a twisted social experiment, a group of 80 Americans are locked in their high-rise corporate office in Bogotá, Colombia and ordered by an unknown voice coming from the company’s intercom system to participate in a deadly game of kill or be killed.